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The rose is obsoletebut each petal ends inan edge, the double facetcementing the groovedcolumns of air--The edgecuts without cuttingmeets--nothing--renewsitself in metal or porcelain--whither? It ends--But if it endsthe start is begunso that to engage rosesbecomes a geometry--
Sharper, neater, more cutting
figured in majolica--
the broken plate
glazed with a rose
Somewhere the sense
makes copper roses
steel roses--
The rose carried weight of love
but love is at an end--of roses
It is at the edge of the
petal that love waitsCrisp, worked to defeat
laboredness--fragile
plucked, moist, half-raised
cold, precise, touching
What
The place between the petal's
edge and the
From the petal's edge a line starts
that being of steel
infinitely fine, infinitely
rigid penetrates
the Milky Way
without contact--lifting
from it--neither hanging
nor pushing--
The fragility of the flower
unbruised
penetrates space
–William Carlos Williams
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