Concerning the Book That Is the Body of the Beloved

 

 

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Not deepest grief,
Of course,
Nothing can help you
With that.
                 Later,
Maybe, but not now.
Now you are unreachable,
Alone with all that was
Awry between you.

Alone with what was said
and not said.
                      Saying it all
Now freely confessing
What you withheld then,
Admitting what you denied
Only a short while ago.

How obvious that you
Were often wrong and unkind.

Aware of all the good
Deeds you intended
That remained undone.
Aware of all the good
Between you 
That Death has undone.


—Gregory Orr 

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In the end, everyone is aware of this:
nobody keeps any of what he has,
and life is only a borrowing of bones.


—Pablo Neruda

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wait - what ?

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Keeping Quiet, excerpt

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What I want shouldn’t be confused
with final inactivity:
life alone is what matters,
I want nothing to do with death.

If we weren’t unanimous
about keeping our lives so much in motion,
if we could do nothing for once,
perhaps a great silence would
interrupt this sadness,
this never understanding ourselves
and threatening ourselves with death,
perhaps the earth is teaching us
when everything seems to be dead
and then everything is alive.


—Pablo Neruda

 

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ode to clothes

 

 

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Every morning you wait,
clothes, over a chair,
to fill yourself with
my vanity, my love,
my hope, my body.
Barely
risen from sleep,
I relinquish the water,
enter your sleeves,
my legs look for
the hollows of your legs,
and so embraced
by your indefatigable faithfulness
I rise, to tread the grass,
enter poetry,
consider through the windows,
the things,
the men, the women,
the deeds and the fights
go on forming me,
go on making me face things
working my hands,
opening my eyes,
using my mouth,
and so,
clothes,
I too go forming you,
extending your elbows,
snapping your threads,
and so your life expands
in the image of my life.
In the wind
you billow and snap
as if you were my soul,
at bad times
you cling
to my bones,
vacant, for the night,
darkness, sleep
populate with their phantoms
your wings and mine.
I wonder
if one day
a bullet
from the enemy
will leave you stained with my blood
and then
you will die with me
or one day
not quite
so dramatic
but simple,
you will fall ill,
clothes,
with me,
grow old
with me, with my body
and joined
we will enter
the earth.
Because of this
each day
I greet you
with reverence and then
you embrace me and I forget you,
because we are one
and we will go on
facing the wind, in the night,
the streets or the fight,
a single body,
one day, one day, some day, still


—Pablo Neruda

 

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who am I if I was not I while I slept?

 

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Is there death for you? For whom is death? The body which dies, were you aware of it, did you have it, during sleep? The body was not, when you slept, but you existed even then. When you awoke, you got the body and even in the waking state you exist. You existed both in sleep and waking. But the body did not exist in sleep and exists only in waking. That which does not exist always, but exists at one time and not at another, cannot be real. You exist always and you alone are therefore real.

... We are so engrossed with the objects or appearances revealed by the light, that we pay no attention to the light. In the waking or dream state in which things appear, and in the sleep state in which we see nothing, there is always the light of Consciousness or Self, like the hall lamp which is always burning. The thing to do is to concentrate on the seer and not on the seen, not on the objects, but on the Light which reveals them.


—Sri Ramana Maharshi

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Mondays are meshed with Tuesdays

and the week with the whole year.

Time cannot be cut

with your weary scissors,

and all the names of the day

are washed out by the waters of night.

No one can claim the name of Pedro,

nobody is Rosa or Maria,

all of us are dust or sand,

all of us are rain under rain.

They have spoken to me of Venezuelas,

of Chiles and of Paraguays;

I have no idea what they are saying.

I know only the skin of the earth

and I know it is without a name.

When I lived amongst the roots

they pleased me more than flowers did,

and when I spoke to a stone

it rang like a bell.

It is so long, the spring

which goes on all winter.

Time lost its shoes.

A year is four centuries.

When I sleep every night,

what am I called or not called?

And when I wake, who am I

if I was not I while I slept?

This means to say that scarcely

have we landed into life

than we come as if new-born;

let us not fill our mouths

with so many faltering names,

with so many sad formalities,

with so many pompous letters,

with so much of yours and mine,

with so much of signing of papers.

I have a mind to confuse things,

unite them, bring them to birth,

mix them up, undress them,

until the light of the world

has the oneness of the ocean,

a generous, vast wholeness,

a crepitant fragrance.

—Pablo Neruda

Too Many Names

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keeping quiet

 

peace and freedom —Pablo Picaso

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Now we will count to twelve
and we will all keep still.

This one time upon the earth,

let’s not speak any language,

let’s stop for one second,

and not move our arms so much.

It would be a delicious moment,

without hurry, without locomotives,

all of us would be together

in a sudden uneasiness.

The fishermen in the cold sea

would do no harm to the whales

and the peasant gathering salt

would look at his torn hands.

Those who prepare green wars,

wars of gas, wars of fire,

victories without survivors,

would put on clean clothing

and would walk alongside their brothers

in the shade, without doing a thing.

What I want shouldn’t be confused

with final inactivity:

life alone is what matters,

I want nothing to do with death.

If we weren’t unanimous

about keeping our lives so much in motion,

if we could do nothing for once,

perhaps a great silence would

interrupt this sadness,

this never understanding ourselves

and threatening ourselves with death,

perhaps the earth is teaching us

when everything seems to be dead

and then everything is alive.

Now I will count to twelve

and you keep quiet and I’ll go.


—Pablo Neruda 

 

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at least

 

 




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If nothing saves us from death, at least love should save us from life.

—Pablo Neruda

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stationary point

 

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I would know nothing, dream nothing:
who will teach my non-being
how to be, without striving to be?

How can the water endure it?

What sky have the stones dreamed?

Immobile, until those migrations
delay at their apogee
and fly on their arrows
toward the cold archipelago.

Unmoved in its secretive life, 
like an underground city,
so the days may glide down
like ungraspable dew:

nothing fails, or shall perish,
until we be born again,
until all that lay plundered
be restored with the tread
of the springtime we buried—
the unceasingly stilled, as it lifts
itself out of non-being, even now,
to be flowering bough.

—Pablo Neruda
Voyages and Homecomings, 1959

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Every person is a half-open door / leading to a room for everyone. —Tomas Tranströmer

 

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This is a place where a door might be

here where I am standing
In the light outside all the walls

there would be a shadow here
all day long
and a door into it
where now there is me

and somebody would come and knock
on this air
long after I have gone
and there in front of me a life
would open

—W. S. Merwin

. . .

Tie your heart at night to mine, Love,
and we will defeat the darkness
like twin drums beating in the forest
against the heavy wall of wet leaves.
Night crossing: black coal of dream
that cuts the thread of earthly orbs
with the punctuality of a headlong train
that pulls cold stone and shadow endlessly.

Love, because of it, tie me to a purer movement,
to the grip on life that beats in your breast,
with the wings of a submerged swan,
So that our dream might reply
to the sky’s questioning stars
with one key, one door closed to shadow.

—Pablo Neruda

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questions

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You've asked me what the lobster is weaving there with

his golden feet?

I reply, the ocean knows this.

You say, what is the ascidia waiting for in its transparent bell?
What is it waiting for?
I tell you it is waiting for time, like you.

You ask me whom the Macrocystis alga hugs in its arms?
Study, study it, at a certain hour, in a certain sea I know.

You question me about the wicked tusk of the narwhal,
and I reply by describing how the sea unicorn with the harpoon in it dies.

You enquire about the kingfisher's feathers,
which tremble in the pure springs of the southern tides?
Or you've found in the cards a new question touching on
the crystal architecture of the sea anemone,
and you'll deal that to me now?

You want to understand the electric nature of the ocean spines?

The armored stalactite that breaks as it walks?

The hook of the angler fish, the music stretched out

in the deep places like a thread in the water?

I want to tell you the ocean knows this, that life in its jewel boxes

is endless as the sand, impossible to count, pure,

and among the blood-colored grapes time has made the petal

hard and shiny, made the jellyfish full of light

and untied its knot, letting its musical threads fall

from a horn of plenty made of infinite mother-of-pearl.

I am nothing but the empty net which has gone on ahead

of human eyes, dead in those darknesses,

of fingers accustomed to the triangle, longitudes

on the timid globe of an orange.

I walked around as you do, investigating the endless star,

and in my net, during the night, I woke up naked,

the only thing caught, a fish trapped inside the wind.

–Pablo Neruda
Robert Bly version

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look at me

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Look at me across the sea,

for I go radiant,

look at me across the night through which I sail,

and sea and night are those eyes of yours.

I have not left you when I go away.


–Pablo Neruda

The Captain's Verses

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if you ask

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If you ask where I have been
I have to say, "It so happens. . ."

I have to talk about the earth turned dark with stones,
and the river which ruins itself by keeping alive;
I only know about objects that birds lose,
the sea far behind us, or my sister crying.
Why so many different places, why does one day
merge with another day? Why does a black night
gather in the mouth? Why are all these people dead?

If you ask where I come from I have to start talking with broken objects,
with kitchenware that has too much bitterness.
with animals quite often rotten,
and with my heavy soul.

What have met and crossed are not memories,
nor the yellow pigeon that sleeps in forgetfulness;
but they are faces with tears,
fingers at the throat,
anything that drops out of the leaves:
the shadowiness of a day already passed by,
of a day fed with our own mournful blood.
 
Look and see violets, swallows,
all those things we love so much and can see
on the tender greeting-cards with long tails
where time and sweetness are sauntering.

But let's not go deeper than those teeth,
nor bite into the rinds growing over the silence,
because I don't know what to say:
there are so many people dead
and so many sea-walls that the red sun used to split,
and so many heads that the boats hit,
and so many hands that have closed around kisses,
and so many things I would like to forget.


–Pablo Neruda
There Is No Forgetfulness (Sonata)

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two happy lovers

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Two happy lovers make one bread,
a single moon drop in the grass.

Walking, they cast two shadows that flow together;
waking, they leave one sun empty in their bed.

Of all the possible truths, they chose the day;
they held it, not with ropes but with an aroma.

They did not shred the peace; they did not shatter words;
their happiness is a transparent tower.

The air and wine accompany the lovers.
The night delights them with its joyous petals.
They have a right to all the carnations.

Two happy lovers, without an ending, with no death,
they are born, they die, many times while they live:
they have the eternal life of the Natural.


–Pablo Neruda

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nothing but death

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There are cemeteries that are lonely,
graves full of bones that do not make a sound,
the heart moving through a tunnel,
in it darkness, darkness, darkness,
like a shipwreck we die going into ourselves,
as though we were drowning inside our hearts,
as though we lived falling out of the skin into the soul.

And there are corpses,
feet made of cold and sticky clay,
death is inside the bones,
like a barking where there are no dogs,
coming out from bells somewhere, from graves somewhere,
growing in the damp air like tears of rain. 

Sometimes I see alone
coffins under sail,
embarking with the pale dead, with women that have dead hair,
with bakers who are as white as angels,
and pensive young girls married to notary publics,
caskets sailing up the vertical river of the dead,
the river of dark purple,
moving upstream with sails filled out by the sound of death,
filled by the sound of death which is silence.

Death arrives among all that sound
like a shoe with no foot in it, like a suit with no man in it,
comes and knocks, using a ring with no stone in it, with no
finger in it,
comes and shouts with no mouth, with no tongue, with no
throat.

Nevertheless its steps can be heard
and its clothing makes a hushed sound, like a tree.

I'm not sure, I understand only a little, I can hardly see,
but it seems to me that its singing has the color of damp violets,
of violets that are at home in the earth,
because the face of death is green,
and the look death gives is green,
with the penetrating dampness of a violet leaf
and the somber color of embittered winter.

But death also goes through the world dressed as a broom,
lapping the floor, looking for dead bodies,
death is inside the broom,
the broom is the tongue of death looking for corpses,
it is the needle of death looking for thread.

Death is inside the folding cots:
it spends its life sleeping on the slow mattresses,
in the black blankets, and suddenly breathes out:
it blows out a mournful sound that swells the sheets,
and the beds go sailing toward a port
where death is waiting, dressed like an admiral.

–Pablo Neruda

Robert Bly version

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