Showing posts with label Wislawa Szymborska. Show all posts
Showing posts with label Wislawa Szymborska. Show all posts

Sunday, March 27, 2022

On Death, without Exaggeration








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It can’t take a joke, 
find a star, make a bridge. 
It knows nothing about weaving, mining, farming, 
building ships, or baking cakes.
In our planning for tomorrow, 
it has the final word, 
which is always beside the point.

It can’t even get the things done 
that are part of its trade: 
dig a grave, 
make a coffin, 
clean up after itself.

Preoccupied with killing, 
it does the job awkwardly, 
without system or skill. 
As though each of us were its first kill.

Oh, it has its triumphs, 
but look at its countless defeats, 
missed blows, 
and repeat attempts!

Sometimes it isn’t strong enough 
to swat a fly from the air. 
Many are the caterpillars 
that have outcrawled it.

All those bulbs, pods, 
tentacles, fins, tracheae, 
nuptial plumage, and winter fur 
show that it has fallen behind 
with its halfhearted work.

Ill will won’t help 
and even our lending a hand with wars and coups d’etat 
is so far not enough.

Hearts beat inside eggs. 
Babies’ skeletons grow. 
Seeds, hard at work, sprout their first tiny pair of leaves 
and sometimes even tall trees fall away.

Whoever claims that it’s omnipotent 
is himself living proof 
that it’s not.

There’s no life 
that couldn’t be immortal 
if only for a moment.

Death
always arrives by that very moment too late.

In vain it tugs at the knob 
of the invisible door. 
As far as you’ve come 
can’t be undone.


—Wislawa Szymborska





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Saturday, March 12, 2022

cat in an empty apartment

 





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Die—you can't do that to a cat.
Since what can a cat do
in an empty apartment?
Climb the walls?
Rub up against the furniture?

Nothing seems different here,
but nothing is the same.
Nothing has been moved,
but there's more space.
And at nighttime no lamps are lit.
Footsteps on the staircase,
but they're new ones.
The hand that puts fish on the saucer
has changed, too.
Something doesn't start
at its usual time.
Something doesn't happen
as it should.

Someone was always, always here,
then suddenly disappeared
and stubbornly stays disappeared.
Every closet has been examined.
Every shelf has been explored.

Excavations under the carpet turned up nothing.
A commandment was even broken,
papers scattered everywhere.
What remains to be done.
Just sleep and wait.
Just wait till he turns up,
just let him show his face.
Will he ever get a lesson
on what not to do to a cat.

Sidle toward him
as if unwilling
and ever so slow
on visibly offended paws,
and no leaps or squeals at least to start.


—Wislawa Szymborska




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Friday, November 19, 2021

nothing's a gift

 






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Nothing's a gift, it's all on loan.
I'm drowning in debts up to my ears.
I'll have to pay for myself
with my self,
give up my life for my life.

Here's how it's arranged:
The heart can be repossessed,
the liver, too,
and each single finger and toe.

Too late to tear up the terms,
my debts will be repaid,
and I'll be fleeced,
or, more precisely, flayed.

I move about the planet
in a crush of other debtors.
some are saddled with the burden
of paying off their wings.
Others must, willy-nilly,
account for every leaf.

Every tissue in us lies
on the debit side.
Not a tentacle or tendril
is for keeps.

The inventory, infinitely detailed,
implies we'll be left
not just empty-handed
but handless too.

I can't remember
where, when, and why
I let someone open
this account in my name.

We call the protest against this
the soul.
And it's the only item
not included on the list.


—Wislawa Szymborska




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Saturday, April 10, 2021

i'm working on the world, excerpt

 





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Death? It comes in your sleep,
exactly as it should.


When it comes, you'll be dreaming
that you don't need to breathe;
that breathless silence is
the music of the dark
and it's part of the rhythm
to vanish like a spark.
 
Only a death like that.  A rose
could prick you harder, I suppose;
you'd feel more terror at the sound
of petals falling to the ground.


Only a world like that.  To die
just that much. And to live just so.
And all the rest is Bach's fugue, played
for the time being
on a saw.



—Wislawa Szymborska
 I'm Working On The World



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Sunday, February 4, 2018

I'm working on the world





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I'm working on the world,
revised, improved edition,
featuring fun for fools,
blues for brooders,
combs for bald pates,
tricks for old dogs.

Here's one chapter: The Speech
of Animals and Plants.
Each species comes, of course,
with its own dictionary.
Even a simple "Hi there,"
when traded with a fish,
make both the fish and you
feel quite extraordinary.

The long-suspected meanings
of rustlings, chirps, and growls!
Soliloquies of forests!
The epic hoot of owls!
Those crafty hedgehogs drafting
aphorisms after dark,
while we blindly believe
they are sleeping in the park!

Time (Chapter Two) retains
its sacred right to meddle
in each earthly affair.
Still, time's unbounded power
that makes a mountain crumble,
moves seas, rotates a star,
won't be enough to tear
lovers apart: they are
too naked, too embraced,
too much like timid sparrows.

Old age is, in my book,
the price that felons pay,
so don't whine that it's steep:
you'll stay young if you're good.
Suffering (Chapter Three)
doesn't insult the body.
Death? It comes in your sleep,
exactly as it should.

When it comes, you'll be dreaming
that you don't need to breathe;
that breathless silence is
the music of the dark
and it's part of the rhythm
to vanish like a spark.
Only a death like that. A rose
could prick you harder, I suppose;
you'd feel more terror at the sound
of petals falling to the ground.

Only a world like that. To die
just that much. And to live just so.
And all the rest is Bach's fugue, played
for the time being
on a saw.


–Wislawa Szymborska 



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Thursday, September 7, 2017

nothing's a gift






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Nothing's a gift, it's all on loan.
I'm drowning in debts up to my ears.
I'll have to pay for myself
with my self,
give up my life for my life.

Here's how it's arranged:
The heart can be repossessed,
the liver, too,
and each single finger and toe.

Too late to tear up the terms,
my debts will be repaid,
and I'll be fleeced,
or, more precisely, flayed.

I move about the planet
in a crush of other debtors.
some are saddled with the burden
of paying off their wings.
Others must, willy-nilly,
account for every leaf.

Every tissue in us lies
on the debit side.
Not a tenacle or tendril
is for keeps.

The inventory, infinitely detailed,
implies we'll be left
not just empty-handed
but handless too.

I can't remember
where, when, and why
I let someone open
this account in my name.

We call the protest against this
the soul.
And it's the only item
not included on the list.


–Wislawa Szymborska




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Friday, November 7, 2014

In Memoriam: Two Poems, excerpt



 




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Suffering (Chapter Three)
doesn't insult the body.
Death? It comes in your sleep,
exactly as it should.

When it comes, you'll be dreaming
that you don't need to breathe;
that breathless silence is
the music of the dark,
and it's part of the rhythm
to vanish like a spark.

Only a death like that. A rose
could prick you harder, I suppose;
 you'd feel more terror at the sound
of petals falling to the ground.

Only a world like that. To die
just that much. And to live just so.
And all the rest is Bach's fugue, played
for the time being
on a saw. 



–Wislawa Szymborska
Stanislaw Baranczak and
Clare Cavanagh translation

I'm Working On The World
 


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